He is England’s greatest knight, the man who saved the life of Alfred the Great and an entire kingdom from a Viking invasion. But when he is called back into service to combat a plague of monstrous beasts known as abominations, he meets a fate worse than death and is condemned to a life of anguish, solitude, and remorse.
She is a fierce young warrior, raised among an elite order of knights. Driven by a dark secret from her past, she defies her controlling father and sets out on a dangerous quest to do what none before her ever have—hunt down and kill an abomination, alone.
When a chance encounter sets these two against one another, an incredible twist of fate will lead them toward a salvation they never thought possible—and prove that the power of love, mercy, and forgiveness can shine a hopeful light even in history’s darkest age.
“You refuse all help, reject all hope, and seem intent on living the most abject existence possible. If anyone is punishing you, look inward, not upward.”
Historical fantasy mixed with horror that puts the “dark” in Dark Ages.
The only catch? The first part of this novel, made up of the first eight chapters, is its major weakness. I don’t want this to put anyone off though, because it really is not bad. However, when compared to the rest of the book, this section had the feel of a very long drawn-out prologue; the pacing here is a bit choppy, its tone blunt and cut-and-dried, the writing style straightforward and almost pedagogical in its delivery – not unlike a textbook. That’s because the first eight chapters are foremost concerned with establishing background information and historical details. They didn’t quite mesh with the part that came after. To me, Chapter Nine felt more like the real start of the story, kicking off the main narrative which takes place approximately fifteen years after the events of the first section. Here we finally get to the meat of it, when things truly begin to take off.
I really loved Wulfric and the King and their war-born friendship.
The entire tone of the novel also changes. We get a lot more character-focused, with the plot centered on two key protagonists. Wulfric is a former knight, fallen far from grace, who now wanders the English countryside dressed in rags and chains. Once the greatest soldier and former confidante of King Alfred the Great, Wulfric now lives in the shadows. Fifteen years ago, he fought to rid his kingdom of a plague of monstrous beasts known as abominations, and for his troubles he was cursed with a fate worse than death.
Then there’s Indra, a fierce young warrior, determined to prove herself worthy as a knight of the Order, an elite group of monster hunters. She is ten months into her initiation trial, which she must pass to become a full-fledged paladin. To do so, she’ll have to hunt down and kill an abomination within a year. Indra means to succeed, if nothing else just to defy her arrogant and controlling father, who was against this whole idea from the start. She’ll return home with the head of an abomination, or not at all.
I didn’t love the ending, it felt too abrupt and happy for the twisted gore of this book (and I usually long for happy endings)
“When you give a feast, do not invite your friends or your rich neighbors, in case they might invite you in return, and you would be repaid,” she said, gazing down at her hands on the bar. “Invite the poor, the crippled, the lame and the blind. And you will be blessed, because they cannot repay you.”